June’s Birthstone – Pearl

June Birthstone: Pearl
Alternate Birthstone: Alexandrite, Moonstone
Ancient Birthstone: Agate
Mystical Birthstone:  Moonstone
Zodiac sign: Gemini May 20-June 21 Quartz Crystal

View Baubles & Beads collection of Fresh Water Pearls

View Baubles & Beads collection of Fresh Water Pearls

Those born in June have the lovely pearl as their birthstone. Pearls are available in a vast array of colors and shapes and have been used as adornments since ancient times. In the Ancient Middle East and Persia, pearls were worth their weight in gold. This trend continued through the Roman Empire and spread throughout Africa and into France. The Renaissance period in Europe through the 1600’s saw the popularity of pearls expand with opening of trade routes to India, the Persian Gulf and the new world. Pearls soon moved into the crown jewels the royal families of Europe, as well as being used for religious ornamentation. All shapes and sizes of pearls were used including: baroque, (irregular) round, drops, and seed pearls. Today pearls are still highly treasured as gems in their own right.

Pearls are an unusual ‘stone’ as they are the only non-stone in the birthstone list. Pearls can be set in rings, brooches, pendants and earrings. Pearls occur naturally in both freshwater and saltwater environments. Pearls are relatively soft measuring 2.5-4.5 on the Mohs scale, making them an ideal material to be drilled for beads. Pearls are made of nacreous layers formed over an irritant, foreign substance, or even bacteria, by the mollusk. Pearls are made of carbonate mineral, the same material that makes up the shell of oysters, mussels, and clams. All bivalve (two shelled) mollusks can produce a nacreous (gem) pearl, the type used in jewelry. Gastropods like abalone and conch also produce ‘pearls’ although of a different chemical make up. Wild pearls (naturally occurring) are rare, in the early 1900’s an enterprising Kokochi Mikimoto pioneered the technique of culturing pearls by implanting a base or irritant to be layered in nacreous material by the mollusk. Pearls are grown in farms for several years. After harvest the mollusk may be implanted to grow more pearls or the shell can be used for mother of pearl jewelry, buttons or beads. Some colored pearls are dyed, irradiated, or bleached to obtain a consistent color. Other naturally colored pearls get their colors from the species of mollusk and pollutants in the water.

Pearl farms are in many countries. China and Japan have large freshwater pearl farming operations, saltwater pearls come from the South Pacific Islands, northern Australia, Indonesia and Fiji. There was a small US pearl fishery, in the Mississippi, which now is mostly defunct, it’s primary product was shell used for mother of pearl beads and buttons.

South Sea Ring Pearls

South Sea Ring Pearls

How to evaluate the quality of a pearl

There are several factors that must be taken into account when judging pearls as all intersect in the final evaluation of a pearl.

Nacre- The thickness of the pearls surface layers is an important factor in the durability and longevity as well as the size of a pearl.

Luster- Luster is related to the layers of nacre, laid on the pearl, it should be unbroken by blemishes, iridescent and show a crisp reflection of light sources. Blurry reflections are less desirable and show a lower quality and thickness of nacre.

Size- Larger sizes are created over longer periods of time, with older mollusks. There is more risk involved to the grower, but a larger, older pearl is more rare.

Shape- Round pearls are seen as the ideal and anything less than perfectly round are downgraded. Unique shapes, rings, and irregularities make pearls interesting but less valuable.

Color- Pearls have a set range of colors, white, cream, pink, silver, black and gold. Most desirable is an even color with no blemishes. Undertones may be visible in rose, green or blue when the pearl is rotated. Pearls should glow from within.

The value of a pearl takes into account all of the above factors but also how it is matched with other similar pearls to form a matching strand influences the value greatly.

Vintage Pearl and Diamond Ring

Vintage Pearl and Diamond Ring

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Alternate birthstones for June are Alexandrite and Moonstone both have lovely colors and many options if pearls are not for you.

Alexandrite is named after Czar Alexander II in 1855.  Alexandrite is a color changing stone, depending on the color of the light it may shift from a beautiful green to blueish-brownish shades and under artificial light is can be reddish violet. Alexandrite is a mineral made up of beryllium, aluminum, and oxygen and is part of the chrysoberyl family. Relatively rare, Alexandrite can be expensive, it is found in Sri Lanka, Brazil and Africa.

Moonstone is an alternate birthstone for June with lovely, white with bluish tones and flashes of color.  Turn a moonstone in the light and the color ‘beams’ across the stone like moonlight on water. Moonstone is in the feldspar family, a silicate mineral that commonly forms in rocks. The feldspar family also includes labradorite, amazonite and sunstone. With a hardness of 6-7.5 on the Mohs scale, moonstone is cut into beads and  cabochons for jewelry.  Clear moonstones are of the highest quality, and are mined in Sri Lanka, Brazil, India and the US.

Stringing A Necklace On Thread

We have two great new videos to strengthen your technical skills. The first video will guide you through materials selection while the second video will teach you how to attach a clasp with clamshell beadtips.

The materials discussed in the previous video can be found on our website.
Threads: Silk, Nylon, C-lon
Beadtips
Hypo Cement
Twisted Wire Needles
Flocked Design Board
Chain Nose Pliers
Round Nose Pliers
Thread Snips

Thanks for taking the time to watch us in action. Let us know what other techniques you would like us to cover by commenting below.

Beaded Purses Exhibit

Beaded Purses: Curated by Emily B Miller
Showing at Baubles & Beads May 24th-June 19th

Tiny beads made of glass and steel that have been out of production for nearly 100 years, silk thread, needles, fabric and time make up this great exhibit. A beaded bag could take anywhere from a month to nearly a year to complete. From the Victorians and the Flappers to modern bead workers, beaded handbags have always been a canvas to explore color and mastery of technique. Our newest exhibition features handbags that span over 100 years, from delicate knitted versions with the soft drape of silk yarn holding thousands of beads together in decorative patterns to sweet dance purses designed to slip over the fingers of a flapper, the perfect size to hold a lipstick and mirror. The exhibit also features French steel cut examples and several modern loomed handbags that are meant to show the skill of the bead worker on a large project.

Bead Knitted Purses

Two fine examples of knitted glass beaded bags.

Two fine examples of knitted glass beaded bags.

From the late 1800’s to the early 1900’s there was a rise in the commercial manufacturing of beaded purses which fostered a market for the sale of patterns and supplies for making beaded purses and accessories at home. Knitting was a staple in every household from the poorest to the richest; women could express their creativity with fiber and needles. Bead knitted purses were made from patterns or kits, each bead was strung on ‘purse silk’ in a pattern using tens of thousands of beads. Each knitted stitch included a single bead. Steel beads allowed for many metallic colors, which were often mixed with colored fibers. Loom weaving was also used producing flat canvases to use for design. Popular patterns included flowers, garden scenes, strong geometrics, and popular culture trends of the day such as the Egyptian Revival styles that followed the discovery of King Tut’s tomb.

French Steel Cut Bags

A French steel cut purse. Notice the colors of the beads distinguishing it from American steel cut beads.

A French steel cut purse. Notice the colors of the beads distinguishing it from American steel cut beads.

Both France and the United States produced steel cut beads. The French versions were by far the most exquisite and sought after as their manufacture included chemically and electrolytically colored beads in an amazing variety of hues. Many of the bags made of steel cut beads were loom woven by hand, many originating from Austria. The demise of the steel cut purse was due in great part to the deterioration of both bead and bag structure. The steel beads were prone to rust, and the sheer weight of the beads caused the silk threads they were strung on to break.

Notice the damage caused by wear in this bag. The silk lining is shredded and beads are coming loose from the sides.

Notice the damage caused by wear in this bag. The silk lining is shredded and beads are coming loose from the sides.


Swag Beaded Bags

A knitted glass bead bag. Notice the exquisite frame that has at one time been reattached to the purse in contrasting thread.

A knitted glass bead bag. Notice the exquisite frame that has at one time been reattached to the purse in contrasting thread.

Swag designs became popular in the early 1910′s. These designs often incorporated the color of silk with solid color blocks of beads. These patterns were widely available, quick and easy to make, and rather inexpensive.

Dance Purses

A collection of purses featuring the tambour technique of beading.

A collection of purses featuring the tambour technique of beading.

The Roaring 20’s signaled a different need in handbags, something that kept up with the current fashions and allowed for more freedom for women. Young women were attending casual events and dancing was a large part of the entertainment. Smaller bags with beads embroidered on the surface using a new technique, tambour beading, allowed for the faster application of beads with flowing patterns including swirls and curls in the designs. Mixed types of beads, glass pearls, faceted ‘cut’ beads and one-facet charlotte beads were popular. Many of these bags were imported from the Czechoslovakia, Belgium and France.

Beaded Bags in the 50’s

A small clutch purse.

A small clutch purse.

There was still a market for ‘lady-like’ handbags in the rock and roll era of the 1950’s. Bags took on a more structured look. The popular styles included box shapes, with firm sides, often with a short strap or as a clutch to be hand carried. These bags had matching mirrors and compacts. Imported bags were the norm, with handmade bags falling our of favor to machine made styles.

Contemporary Beaded Bags

A contemporary loom woven bag by Emily B Miller.

A contemporary loom woven bag by Emily B Miller.

There are many techniques currently being used to make beaded handbags. Knitting, crochet and loom weaving are some of the most popular today. Patterns are hand drawn or can be digitally designed. Loom weaving can be used to produce flat or round shapes depending on the experience of the beadworker. On exhibit are two pieces in process. One is still threaded on the loom while the other has been removed from the loom and the artist is in the process of weaving in the warp threads. Bead embroidery has also emerged as a popular method for embellishing fabrics and leather to create a beaded handbag. Improvements in the manufacturing process of beads has resulted in creating beads with consistent shape, size, and larger holes, making for faster and more even results.

More information about beaded purses can be found in an excellent book by Evelyn Haertig: More Beaded Purses ISBN# 0-943294-009.
In 2007 the Lacis Museum of Lace & Textiles, located in Berkeley, CA, held an exhibition celebrating the beaded bag. Visit their exhibition page to view slides of their showing.

About Emily B. Miller and her love for beaded handbags…..

“When I saw my first small white purse I imagined a young woman out to dance and have a wonderful time… as I saw more and more of these little purses, (mostly white and cream) I was drawn to their naiveté, simple sweet purses just the right size for a lipstick, compact and a bit of mad money…”

“I started my collection pretty innocently with a purchase on Ebay of one little bag for $10. It quickly spiraled out of control! I’ve found bags at antique stores, yard sales, thrift shops, and flea markets. I have collected so many that I’ve been known to give a piece of jewelry in a beaded bag! I’ve learned a bunch by rehabbing a bag, how to replace the lining, make a new strap, and fix the loose beadwork. Making my own designs into bags was a huge undertaking, but the results are bragging rights for a lifetime. Any special event calls to carry a beaded handbag, and sometimes just for every day.”

How to Wire Wrap a Briolette

beginningHere at Baubles & Beads we answer a lot of questions. After polling the staff we all agreed that wire wrapping a top-drilled bead was one of the top demo requests. Join Heather as she guides you through the process step-by-step.

There are so many ways to achieve the same results. Do you have a tip that others may find useful? Feel free to comment what works for you.

Ancient Beads Exhibit

Ancient Beads: from the private collection of Jim Kaufman

The love of beads runs deep for the owners of Baubles & Beads. For over 20 years Jim has been collecting ancient glass beads. We are excited to share part of his collection for public viewing for the first time. The exhibit is available for viewing April 25th-May 22nd in our Berkeley store. For those of you who can’t make it, we have included a few photo highlights from the show…..

Folded glass beads. Dated approximately 300BC-1000AD.

Folded glass beads. Dated approximately 300BC-1000AD.

Folded glass beads were first designed to imitate banded stone. Looking at the surface of the glass one can see the lines where the glass was shaped and folded inward. The beads range in size from 12mm-18mm. Many of the beads show wear and tear on the surface from centuries of adornment.

These strands are Pre-Islamic Iran beads dated approximately 300BC-300AD

These strands are from Pre-Islamic Iran and are dated from approximately 300BC-300AD.

Many of the beads on these two strands resemble banded agate. The surface of most of the beads is irregular begging one to touch each bead independently. Additional beads in this grouping range in size from 10mm-20mm and feature many combed beads.

This lovely Egyptian vessel is one of Jim's favorites. It dates between 1300BC-900BC.

This lovely Egyptian vessel is one of Jim’s favorites. It dates between 1300BC-900BC.

To quote Jim when asked about this bead he said, “I just loved it from the moment I saw it.” This lovely vessel measures a mere 13mm x 10mm. Notice the slight iridescence around the neck of the vessel, near the handle. This effect is caused by a chemical decomposition of the glass due primarily to prolonged contact of the object with moist and acidic soil.

These Roman beads date from approximately 300BC-400AB.

These Roman beads date from approximately 300BC-400AD.

Upon closer look at the golden beads pictured above, one can see that some of the beads are made up of gold-glass. Gold-glass is made up of actual layers of gold foil between two layers of glass. This technique was derived in Roman times. Some of the beads on the strand are made up of yellow glass. One can differentiate between glass and foil beads by holding the bead up to a light source; if the light passes through, there is no foil present.

Blue Roman glass beads from 300BC-300AD.

Blue Roman glass beads from 300BC-300AD.

Many of the beads in this collection are what is known as “eye-beads.” Eye beads and talismans were worn to ward off evil spirits and protect one from harm. The symbolism of the “evil eye” is still prevalent in today’s culture.

These beads are from Indonesia -Java dating between 1200-1500AD

These beads are from Indonesia Java dating between 1200-1500AD

To learn more about bead history we recommend two books:

The History Of Beads, from 30,000 B.C. to the Present by Lois Sherr Dubin ISBN# 0-8109-0736-4

Magical Ancient Beads Times Edition ISBN# 981-204-792-1

May’s Birthstone -Emerald

May Birthstone: Emerald
Alternate birthstones for May: Agate and Chrysoprase
Ancient birthstone for May: Agate
Zodiac signs for May:
Taurus April 21-May 2 Emerald
Gemini May 22-June 21 Agate
Traditional stone for 55th wedding anniversary

An exquisite emerald cut in the traditional "Emerald Cut".

An exquisite emerald cut in the traditional “Emerald Cut”.

Those with a May birthday have one of the most costly, valuable, and rare birthstones, Emerald. A member of the beryl family, Emerald is colored green with chromium, vanadiam and iron, small inclusions are acceptable and do not weigh against the quality of the stone. The green color of the best quality stones is described as ‘new wet grass after a rain’. Emeralds are a difficult stone to cut, while hard 7.5-8 on the Mohs scale, they can be brittle and any inclusions can cause the stone to chip while being cut and polished.  Emeralds also lend their name to a particular cut of gemstones, the rectangular stepped cut called the ‘emerald cut’, which focuses on increasing the depth of color rather than the brilliance of a stone. Emeralds a commonly ‘oiled’ which is a process of submerging the stone in mineral or other oils to deepen the color and help minimize the appearance of inclusions. Emerald beads are available, but mostly are made of less desirable material.

Emeralds are found in several places around the world, often in mica schists within granite deposits. Formed under pressure, emeralds often pick up bits of stone or bubbles that give each stone a unique ‘fingerprint’ of inclusions. They can be found in streams and riverbeds, carried to the surface from deeper deposits. In antiquity emeralds were mined in Egypt, the Cleopatra mines are the best known in that area. Modern mines are focused in Columbia, Brazil and South Africa, with smaller mines in India, Pakistan, Russia, and even North Carolina in the US. Emeralds have long been purported to have mystical qualities, ancient beliefs included protection from poison, a restorative to eyesight, to bring luck, success and youthfulness. 

chryso

Apple green chrysoprase beads.

Not an emerald fan, but born in May? Two alternate birthstones may satisfy the Taurus or Gemini. Chrysoprase and agate are less precious than emerald, but no less beautiful! Chrysoprase is an apple green variation of chalcedony, colored by a small amount of nickel. Fairly rare, Chrysoprase is used primarily in jewelry, cut in cabochons or beads. Chrysoprase is used to balance the yin and yang and in India to help mend a broken heart. Chrysoprase and agate share a connection of structure, both being made of crystals so tiny, they are classified as micro-crystalline. Agate, a chalcedony quartz that forms in layers, is well-known for its beautiful stripes and bands that take on the appearance of tree rings, eyes, loops and scallops. Agate is used for many decorative objects, bowls, cameos, carvings as well as beads and jewelry. Used since ancient times for carved talismans, agate is a protective stone, especially helpful to promote rich and varied dreams.

agates

Banded and striped agate beads.

 Working with emeralds, chrysoprase and agate in your jewelry adds so much color and dimension! Mix emeralds with gold as the richness of gold sets off the true green of emeralds. Want the color without the high price tag? Use Swarovski emerald-green crystal beads, all of the color, made affordable! Chrysoprase’s apple green also cries out for luscious gold, but also try oxidized silver and gunmetal to deepen the contrast without adding much color. Agates with swirls and stripes of black, gray and white mix well with other beads in similar color ranges, gray moonstone, onyx, and light gray or ivory pearls.

DIY -Knotted Leather Bracelet

lgholepearlbraceletTools Needed
Light-duty wire cutters or scissors
Ruler
Chain nose pliers

Materials Needed
10-14 large-hole 8mm fresh water pearls
1 pair 4mm sterling silver crimp-on cord ends
2 yards 1.5mm leather cord
2 6mm sterling silver heavy jump rings
1 sterling silver toggle

Attach The Cord Ends To The Leather

Step 1: Cut the leather into 4 pieces measuring at least 18 inches each. The sample bracelet measures 6 1/2″ in length. For larger bracelets use longer pieces of leather.

Step 2: Gather one end of all four pieces of leather and insert them into the open end of one of the crimp ends.

Step 3: Using the fine tips of a pair of chain nose pliers, squeeze the center strip of the crimp to secure the leather pieces in place. Flip the crimp end over and repeat this process from the other side to ensure a tight crimp.

Attach the cord end to the four pieces of leather.

Attach the cord end to the four pieces of leather.

Knot The Pearl In Place On The Leather

Two pieces of leather are used for each knotted strand of pearls. Working both sets of strands at the same time produces the best results. The exact measurement between each knot can vary slightly although the overall design looks better if the two strands of pearls is consistent.

Step4: Using an overhand knot, tie two strands of leather together so that the space between the crimp end and the knot measures approximately 1/4. Repeat this step with the remaining two strands.

Tie two strands together with an overhand knot approximately 1/2" from the crimp end.

Tie two strands together with an overhand knot approximately 1/2″ from the cord end.

Step 5: String a pearl onto one of the leather cords.

Step 6: Secure the pearl in place by knotting the leather cords together with an overhand knot that measures approximately 3/4 inch from the previous knot. Repeat Step 5 & 6 on the other side.

Secure a pearl in place by making an overhand knot with both pieces of leather spaced 3/4" from the previous knot.

Secure a pearl in place by making an overhand knot with both pieces of leather spaced 3/4″ from the previous knot.

Step 7: Continue adding pearls to the leather cord, alternating the strand of leather the pearl is strung on. Secure each bead in place with an overhand knot spaced 3/4 inches from the previous knot.

NOTE: The sample uses a total of 10 pearls which resulted in a bracelet with a finished length of 6 1/2″. This finished length is a bit small for most wrists.  The finished length should be at least 1 inch larger than the actual wrist measurement. This design is easily lengthened since ample cord is cut at the beginning allowing for adjustments along the way.

Continue adding segments of pearls until the desired bracelet length is achieved.

Continue adding segments of pearls until the desired bracelet length is achieved.

Attach The Final Cord End and Clasp To Complete The Bracelet

Step 8: Cut the leather cords 1/2 inch from the last knot.

Step 9: Insert all four leather cords into the remaining cord end.

Step 10: Using the fine tips of a pair of chain nose pliers, squeeze the center strip of the crimp to lock the leather pieces in place. Flip the crimp end over and repeat this process from the other side.

Step 11: Attach each side of the clasp to the crimp ends with heavy gauge jump rings.

Crimp the leather cords together and add a clasp to finish.

Crimp the leather cords together and add a clasp to finish.

Step 12: Think about variations on this design. Thinner cord, different beads, use as a necklace centerpiece by adding chain for length. The possibilities are up to you. Create and enjoy!

How To Crimp A Crimp Bead

When it comes to making jewelry nothing is as quick and easy as using flexible stringing wire and crimp beads. No knot, needles, or glue required! Let the fabulous Kate Richbourg take you through the ins and outs of how to use the crimp tool to securely attach a clasp to your stringing designs.

Kate used the following materials in her demonstration:

April’s Birthstone-Diamond

April’s Birthstone: Diamond
Alternate birthstones: White Topaz or Quartz Crystal
Ancient birthstone: Sapphire
Mystical birthstone: Opal
Diamond is the zodiac stone for Aries March 21-April 20
Diamond is the 75th anniversary stone

A vintage diamond and platinum ring from the 1920′s

A vintage diamond and platinum ring from the 1920′s

Birthstones have long been associated with particular months of the year, as well as zodiac signs. In antiquity each gemstone was to be worn on a particular month, harking back to the connection between apostles and their virtues, as well as the twelve stones in Aaron’s breastplate mentioned in a passage in Exodus. In 1912 the American National Association of Jewelers set the birthstone list most referred to today, with a few changes made as recently as 2012. British Goldsmiths set their own list in 1932 adding a few specific colors and alternates that can be used each month. Tiffany’s published a poem from an unknown source in the late 1800’s with a gemstone proclaimed in each stanza by month,

She who from April dates her years,
Diamonds shall wear, lest bitter tears
For vain repentance flow; this stone,
Emblem of innocence is known.

Diamonds are said to strengthen and promote the healing ability of the body, guard the wearer from negative influences, and protect against the evil eye.  A stone representing innocence, purity and coolness.

Diamonds, named from the Greek word adamas meaning unbreakable, are at the top of the Mohs scale for hardness with a measurement of 10. Clear, flawless, colorless diamonds are the ideal for most jewelry, but diamonds are available in a range of colors: blue, yellow, brown, pink, and even black. Diamonds are durable, scratched only by other diamonds, making them suitable for everyday wear and tear. Diamonds are made of carbon, arranged in a diamond lattice, formed deep in the Earth’s mantle under enormous pressure and high temperatures. Moved to the surface in magma flows, diamonds are found in deposits of kimberlites and lamproites. Diamonds are mined in only a few locations, Botswana, Democratic Republic of Congo, Australia, India, Brazil, Russia and Canada. Small quantities of diamonds have been found in the United States, in Colorado, Arkansas, and Wyoming.  Much of the material mined is low quality, not suitable for gem cutting and is used in industrial applications, cutting wheels, grinding tools and diamond tipped drills, and abrasive powder.

Diamond beads are available but are often cost prohibitive and difficult to work with as the bead holes are extremely small. Good alternatives with the same crystal clear quality as diamond are white topaz and quartz crystal. Both have the shimmering brilliance and the durability to be worn daily. Use quartz and white topaz to add sparkle to your jewelry, brightening subtle designs with highly reflective faceted beads. Herkimer diamonds are double terminated quartz crystals, discovered in Herkimer County, New York  and are interesting stones as they emulate rough, uncut diamonds.

Unpolished quartz crystal beads.

Unpolished quartz crystal beads.

A polished quartz crystal pendant.

A polished quartz crystal pendant.

Quartz beads are available in many shapes.

Quartz beads are available in many shapes.

Patinas For Metal

For many jewelers applying a patina is the final step in the completion of a jewelry design.  The patina process includes a broad range of colors, products and techniques.  Before applying any patina the metal should be clean and free of debris or oxidization. Let’s explore the patina products that Baubles & Beads uses at the store.

Liver of Sulfur

Liver of Sulphur

Liver of Sulphur

The most widely used patina solution for home jewelers due to its range of colors and ease of use. Most non-porous beads are unaffected by the chemical and can be used to patina a metal piece that incorporates beads, such as wire work projects.

What metals does it work with?

When used hot the solution works with sterling silver and fine silver. A cold solution will patina base metals such as copper.

Color Range

Range of colors on fine silver using liver of sulphur.

Range of colors on fine silver using liver of sulphur.

Color range includes: reds, greens, blues, browns and a very dark brown that appears black. Vibrant colors are considered experimental and results will vary according to variable conditions (water temperature, ratio, etc.).

Add about 1 tablespoon of ammonia to a 2 cup solution to create more vibrant colors on silver.

Safety

Always use proper ventilation as this stuff stinks! The solution can also stain the skin so be sure to wear gloves and safety glasses. Use plastic or glass containers.

Application

Liver of sulphur solution diluted in hot water.

Liver of sulphur solution diluted in hot water.

Mix the solution as directed on the package. Use hot water (about 140 degrees F) but never boiling as fumes will be released in the steam. We prefer to make a weaker solution that is yellowish in color. When using a weak solution allow the piece to remain in the solution for a longer time period until the desired color is achieved. Too strong of a solution can create a flaky black patina that will crumble off.

Silver Black

Silver Black

Silver Black

A diluted solution of hydrochloric acid that produces an instantaneous deep black patina. This item is corrosive to stone and coated beads, use only on metal. Many people are afraid to use this product due to its corrosive properties, use this fear to your advantage by always practicing good safety precautions and you will be rewarded with a beautiful black finish.

 What metals does it work with?

Widely used to patina sterling silver and fine silver. Can be used to darken base metals by diluting the solution with water. Will darken gold-filled metal when either the piece or the solution is heated prior to application.

Color Range

Silver Black is coveted for the deep black effect that it creates on metal.

Safety

Silver Black is a diluted form of hydro-choloric acid, therefore Baubles & Beads is unable to ship the item. However, this product is available for purchase in our retail store in Berkeley, CA. Use safety precautions when using this product: wear gloves, safety glasses and always work in a well ventilated area. Baking soda is used to neutralize the acid both on the piece and to clean up any spills. But watch-out!, when the acid comes in contact with the baking soda it reacts much like the childhood volcano science project where one mixes vinegar and baking soda to make an “eruption.” Contain your workspace by working in a bowl in case the bottle should tip over during use.

Application

Apply solution to the metal with the aid of a Q-Tip to areas that you want a black patina. Neutralize the piece and applicators after applying patina.

VinTaj Patina

VinTaj Patina

VinTaj Patina

These are opaque inks that are specially formulated to adhere to metal. The patina is permanent and UV safe.

What metals does it work with?

All metals.

Color Range

Baubles & Beads currently carries four color collections including three colors in each collection. Mix the colors to create your own custom blend!

Safety

The paint is an irritant and should not be ingested or come in contact with the skin and eyes. Wear gloves and use in a properly ventilated area.

Application

Simply apply the paints to any metal surface using a small paint brush. Experiment with different applications such as blotting it on with a soft cloth, applying several layers of color or mixing colors. It can also be wiped off while still wet. The manufacturer recommends setting the ink with a heat gun for added durability. We use this product on a regular basis and have yet to follow the heat gun guideline and still have great results.

Gilder’s Paste

Gilder's Paste green patina.

Gilder’s Paste green patina.

This is a waxed based medium used to add highlights to metal, wood, ceramics and more. If the paste dries out it can be easily reconstituted by adding a bit of paint thinner and mixing thoroughly.

What metals does it work with?

All metals. It works best when there are recessions in the metal pattern to “catch” the color.

Color Range

Baubles & Beads currently stocks six colors that range from several metallic shades to green and black.

Safety

Like all patina solutions, keep this product away from children.

Application

Apply with a gloved finger, brush, or cloth to the metal in a rubbing motion. Dries to the touch in 30-60 minutes but takes 12 hours to fully dry. It can be thinned out with paint thinner. Rub with a soft cloth to produce a gilded finish. Apply in temperatures above 60F.

Red Aluminum disc with Gilder's Paste applied to stamped design.

Red Aluminum disc with Gilder’s Paste applied to stamped design.

Most impotantly, a safety reminder…

ALWAYS USE ADEQUATE VENLTILATION AND PRECAUTIONS WHEN USING ANY CHEMICAL!  Pregnant women should seek the advice of a doctor before handling any chemical.  Protect your clothing, eyes, skin, and lungs.  If any solution comes in contact with the skin, immediately flush the area with water or appropriate neutralizer .  All mixing cups and jars should be exclusive to a specific chemical and not used for other purposes.  After use, wash all tools and containers with soapy water to remove any residue.  Clean all metals with soap and water after patinization process to remove any residual chemicals.

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